That said, such is the image quality that it is decent enough to give you very good snaps of the moon! Portrait mode itself continues to be a little hit and miss with some edges being missed but the point worth noting here is that the larger sensor on the phone often meant that we could get realistic enough bokeh without resorting to portrait mode. The zoom levels are 5x in all in optical, while digital zoom stops at 12x which is more than the 4x and 10x of the 12 Pro, but might seem minuscule when compared to 60x and 100x zooms on some devices. Whether it was landscapes or portraits or pictures of animals, we got results with realistic color, and tellingly, significantly more detail than on the 12 Pro. The results the cameras of the iPhone 12 Pro deliver are frankly the closest thing we have seen to a high-class point and shoot camera. ![]() Even selfies are (sometimes painfully) realistic. It is not as if the iPhone 12 Pro Max is immune to this – it only seems to tweak images for more realistic shades and details rather than going for the “pleasant looking” images that are the flavor of the day. ![]() We knew almost exactly what we were going to get every time we hit the shutter on the iPhone 12 Pro Max, and that is something that is very rare in phone camera territory, where brands do have a tendency to mess around with software tweaks, call it computational photography or whatever you wish.
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